The electrostatic transfer prints by Jack Ox seen in the slides below are landscapes documented as part of Kurt Schwitters' life and therefore his personal conceptual space, as well as Ox's drawings-prints of three of Schwitters' MERZ artworks.  Jack Ox also considers his artworks as part of Schwitters' conceptual space and therefore reflections of his mental space.  Ox took fragments of each drawing from different vertical points (based on the pitch recited by KS at that point, with the scale of the fragment determined by KSs dynamic (loud/soft) value at that moment in the score. If you look closely at the painting sections you will see how these visual themes mimic the aural, phonetic themes of the Ursonate. Jack Ox would like to credit and give thanks to Xerox Engineering Systems Germany for their generous sponsorship in the making of the prints seen below, and the printing of the hundreds of meters of images that were painted and then collaged for the 73 square meters (800 square feet) visualization.

How will the money from the sale of the Ursonate painting be used?

The Ursonate painting is being sold by Intermedia Projects Inc, a nonprofit corporation. The money from the sale will be used to support intermedia collaborations that fit within the mission statement We are a actively participating in Forest Bathing: "Developing digital technologies for the enhancement of sensory experience. This project is based on the idea that immersion in forest/green environments provides unique and essential benefits for organism health, where for instance 'seeing green' is associated, among other things with specific auditory and olfactory qualities. The latter based on the chemical composition of the ambient sphere. The main objective is to develop digital tools/mobile technologies that enable reognition and navigation of these and other beneficial sensory qualities in the environment. Some of these may not even be known at this point; therefore the urgency of this project is to reconnect the digital back to the physical world to identfify the looming loss of such qualities.

How and where to install the Ursonate painting?

The installation shots from exhibitions on the previous page show how flexible the Ursonate painting is in hanging. Each section of the painting is within four feet and all are one foot high.They are painted on mylar, are thin and light, and have velcro (hook) already mounted on the back. All that needs to be done is to staple, or use pre-adhesived velcro, to the wall. The painting sections must be installed in order (they are numbered on the backside). The painting has and can easily be shown on curving walls because of the flexibility of the mylar and the method of affixing to walls. The painting units can touch meet at a corner in a room, or break for windows and doors. The installation from Los Alamos shows many of these features. The purchase of the complete Ursonate painting includes two custom made metal boxes for shipping and storage. These boxes are also in bright colors.
The images below are linked to the scores for the Ursonate itself on the left, followed by the scores for the painting, the letter from Kurt Schwitters' son, validating the recording Ox had found and used to make her scores, and finally the color chart for the vowel sound tranparent color glazes links to the story of how the Ursonate painting/visualization was created.
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